{"id":1699,"date":"2012-03-26T00:38:22","date_gmt":"2012-03-26T00:38:22","guid":{"rendered":"http:\/\/ilovemega.com\/blog\/?p=1699"},"modified":"2014-07-29T15:07:43","modified_gmt":"2014-07-29T15:07:43","slug":"ugo-gattoni-future-star","status":"publish","type":"post","link":"https:\/\/www.ilovemega.com\/blog\/ugo-gattoni-future-star\/","title":{"rendered":"UGO GATTONI
Interview with the French artist"},"content":{"rendered":"

Ugo Gattoni tells us more about his artworks and his influences in an exclusive interview.<\/h2>\n

According to me, Ugo Gattoni is one of the most talented up-coming artist of the new generation.<\/strong>
\nI discovered Ugo’s work recently, through my french representative Lezilus<\/a>, who decided to represent him too, and showed me his portfolio. I must say that I’m quite impressed by the talent and dedication (it takes a lot to produce such detailed images) of this new comer, and took the opportunity to exchange a few words with this future star of illustration. For me, Ugo is simply the most talented artist I’ve seen in a long long time.
\nMore about Ugo<\/a>.<\/em><\/p>\n

\"Illustration

Illustration of a tiger head<\/p><\/div>\n

Please introduce yourself<\/strong>
\nI’m a graphic designer and illustrator from Paris and I’m 23 years old. I finished my studies in 2010 at EPSAA and then I began to work as a freelance directly after.<\/p>\n

\"Artwork

Artwork of a detailed city typical of the artist slick style<\/p><\/div>\n

How would you describe your work?<\/strong>
\nIt’s quite difficult to say, my work depend of each command of course but in general I attach a great importance to the finition of the product,
\nI love working with details, always more and more! I want my work to be poetic but also fun; I try to work in both ways.<\/p>\n

\"Ugo

Ugo Gattoni artwork for Caravan Palace<\/p><\/div>\n

Please share with us your working process<\/strong>
\nIn general, for illustrations, I process like that :
\nAfter having defined the concept, I do some quick roughs depending of the brief, more for the composition than for the design.
\nSecondly, when it looks good to the client, I do another rough, which show the design of the illustration, more detailed..
\nMost of the time I draw with rotring or graphite so I can’t have so much retakes, it’s why I insist on the validation of the rough before I begin the final step!<\/p>\n