Vers le milieu des ann\u00e9es 80, les premi\u00e8res pierres du graffiti sont pos\u00e9es par des rockers, skins et autres punks dans un Paris aux accents sauvages. C\u2019est dans ce contexte que d\u00e9barque C\u00e9dric en 1989. Pour combler son ennui \u00e0 l\u2019\u00e9cole, ce jeune Parisien d\u00e9cide d\u2019accompagner quelques amis dans les tunnels du m\u00e9tro pour y peindre ses premiers personnages, go\u00fbtant au plaisir de pouvoir “faire des conneries en groupe.” Un an plus tard, la Zulu Nation d\u2019Afrika Bambataa arrive en France. Ce mouvement dont la philosophie est bas\u00e9e sur le respect prend position contre les tags. C\u2019est justement \u00e0 cette \u00e9poque que C\u00e9dric commence \u00e0 poser les siens, “histoire de faire chier et de pourrir les murs avec des trucs bien d\u00e9gueulasses.” Il devient alors Honet, un nom choisi comme une provocation pleine d\u2019humour \u00e0 une \u00e9poque o\u00f9 la tendance dans le milieu est aux noms hardcore, de Nique ta m\u00e8re \u00e0 Crime Time Kings.<\/p>\n
![\"Huge](\"http:\/\/www.ilovemega.com\/blog\/wp-content\/uploads\/honet-wall.jpg\" "\\"honet-wall\\"")
Huge street painting by Honet<\/p><\/div>\n
DES TRAINS AUX MURS <\/strong>
\nHonet deviendra peu \u00e0 peu un activiste respect\u00e9 du “trainisme” hexagonal (l\u2019art de peindre sur des trains, ndlr). Depuis ses premi\u00e8res armes sur la ligne du RER A avec les DKG jusqu\u2019aux m\u00e9tros de Barcelone avec les SDK (crews de graffeurs fran\u00e7ais), il peindra tous les supports que les voies ferr\u00e9es d\u2019Europe auront \u00e0 lui offrir.
\nQuelques ann\u00e9es plus tard, le graffiti explose et de plus en plus d\u2019artistes de la bombe passent leurs nuits \u00e0 d\u00e9foncer des wagons. Honet recherche l\u2019originalit\u00e9, mais sortir du lot devient alors plus difficile. “Lorsque ta peinture n\u2019est jamais qu\u2019une de plus au milieu de 500 000 autres, et que tu es noy\u00e9 sous une masse de jeunes de douze ans qui peignent dix fois plus que toi et qui apprennent dix fois plus vite, c\u2019est logique” explique l\u2019artiste. En parall\u00e8le, il d\u00e9veloppe donc un nouveau style, plus personnel, plus simple et efficace en abandonnant les lettrages du m\u00e9tro au profit de formes figuratives \u00e9pur\u00e9es qu\u2019il commence \u00e0 peindre dans la rue. Honet devient alors HNT.<\/p>\n![\"Honet](\"http:\/\/www.ilovemega.com\/blog\/wp-content\/uploads\/honet-paris-street-art.jpg\" "\\"honet-paris-street-art\\"")
Honet street art in Paris<\/p><\/div>\n
POLITIQUE ET POLEMIQUES <\/strong>
\nMotiv\u00e9 par un revival visionnaire des ann\u00e9es 80, il d\u00e9tourne l\u2019esth\u00e9tique communiste pour peindre des Redskins stylis\u00e9s en noir et blanc, qui seront son premier v\u00e9ritable th\u00e8me de pr\u00e9dilection. Skinheads proches de la classe ouvri\u00e8re et du mouvement punk, les Redskins sont traditionnellement engag\u00e9s dans des luttes anti-racistes. La motivation de C\u00e9dric est cependant li\u00e9e \u00e0 l\u2019aspect graphique, et compl\u00e8tement apolitique. Il explique : “Mes grands-parents \u00e9taient communistes et j\u2019ai baign\u00e9 dans cet univers que j\u2019ai retranscrit en jouant avec les faucilles et les marteaux \u00e0 la mani\u00e8re de logos.” Mais si le grand public de l\u2019\u00e9poque ne comprend pas forc\u00e9ment toutes ces subtilit\u00e9s et se contente souvent de le prendre pour un fasciste vandale, cela ne lui pose pas de probl\u00e8me particulier. “Plus il y avait de vagues et de pol\u00e9miques autour de mon travail, plus j\u2019\u00e9tais content” dit-il, “car le but reste avant tout de faire parler de soi.” Cela commence \u00e0 le d\u00e9ranger davantage lorsqu\u2019il r\u00e9alise que la plupart de ses amis sont des Redskins qui ont \u00e9t\u00e9 interpell\u00e9s par son travail et qu\u2019il est en train de s\u2019enfermer dans une cat\u00e9gorie sociale et culturelle.
\nQuand quelques ann\u00e9es plus tard les jeunes graffeurs arrivent \u00e0 leur tour dans la rue avec de nouveaux supports d\u2019expression comme les stickers ou les affiches, Honet retourne \u00e0 ses premi\u00e8res amours et recommence \u00e0 peindre dans le m\u00e9tro. “Je m\u2019efforce d\u2019\u00eatre l\u00e0 o\u00f9 l\u2019on ne m\u2019attend pas et de surnager \u00e0 contre-courant des modes et des tendances” confie-il. S\u2019il lui arrive aujourd\u2019hui d\u2019exposer dans des galeries, cela ne change en rien le sens et la valeur de son travail. Exigeant sur le choix des lieux, il n\u2019accepte les projets qu\u2019au coup par coup, et ne voit dans ce nouveau m\u00e9dium de l\u2019art qu\u2019une prolongation de son activit\u00e9 dans la rue. “Que je peigne dans la rue ou dans une galerie, je ferai toujours du graffiti, l\u2019art contemporain ne m\u2019int\u00e9resse pas. Je suis simplement content de pouvoir m\u2019ouvrir \u00e0 un nouveau public.”<\/p>\n![\"Honet](\"http:\/\/www.ilovemega.com\/blog\/wp-content\/uploads\/honet-graffiti.jpg\" "\\"honet-graffiti\\"")
Honet graffiti<\/p><\/div>\n
NEW WAVE ET ETHNOLOGIE <\/strong>
\nPlus que dans les mus\u00e9es ou dans l\u2019art contemporain, C\u00e9dric puise l\u2019essentiel de son inspiration dans la musique. Il se retrouve dans l\u2019ambiance des ann\u00e9es 80 “o\u00f9 \u00e9couter du punk et du rap revenait \u00e0 la m\u00eame chose et o\u00f9 les skins \u00e9taient encore des racailles de banlieue.” Dans les ann\u00e9es 90, il d\u00e9couvre les premi\u00e8res raves et le mouvement hardcore. Et raconte : “Je suis fascin\u00e9 par ce ph\u00e9nom\u00e8ne qui consiste \u00e0 se regrouper autour d\u2019une passion commune pour un genre musical et \u00e0 essayer de retranscrire cela dans des codes vestimentaires particuliers. J\u2019ai toujours \u00e9t\u00e9 un v\u00e9ritable f\u00e9tichiste du v\u00eatement. Je me reconnaissais dans le mouvement des free parties avec ces gens qui \u00e9taient habill\u00e9s comme moi en treillis et avec ce c\u00f4t\u00e9 ill\u00e9gal dans les for\u00eats la nuit. Je ne me retrouvais pas dans le hip-hop et les baggies XXL inconciliables avec la pratique du graffiti.” Aujourd\u2019hui, m\u00eame si Jean-Pascal a port\u00e9 un jour un tee-shirt Honet sur le Prime Time de la Star Academy (v\u00e9ridique !), ses influences se situent dans la New Wave et dans l\u2019\u00e9lectro influenc\u00e9e par les 80\u2019s, avec des labels comme Gigolo ou Leitmotiv.
\nIl aime fr\u00e9quenter le microcosme parisien branch\u00e9 des dj\u2019s et des soir\u00e9es pour mieux en comprendre les attitudes et les codes vestimentaires. “J\u2019ai toujours aim\u00e9 m\u2019immiscer dans des petits groupes sociaux pour les \u00e9tudier et les analyser. C\u2019est chaque fois une nouvelle aventure, comme un voyage avec la fronti\u00e8re qu\u2019il faut r\u00e9ussir \u00e0 passer pour ensuite arriver chez l\u2019habitant et d\u00e9couvrir ses us et coutumes. Ensuite je retranscris ces \u00e9l\u00e9ments dans ma peinture.<\/p>\n![\"Honet](\"http:\/\/www.ilovemega.com\/blog\/wp-content\/uploads\/honet-exhibition.jpg\" "\\"honet-exhibition\\"")
Honet wall painting for an exhibition<\/p><\/div>\n
“NOUS SOMMES TOUS DES EUROPEENS”<\/strong>
\nHonet ne fait pas du graffiti fran\u00e7ais mais du graffiti europ\u00e9en. Il a toujours beaucoup voyag\u00e9, explorant les moindres recoins de l\u2019Europe, arpentant les d\u00e9p\u00f4ts de trains ou les galeries de Barcelone \u00e0 Bratislava. Les nouveaux acteurs de la discipline qui commencent \u00e0 appara\u00eetre dans les pays de l\u2019Est sont pour lui autant de sources d\u2019inspiration et de motivation. “Chaque continent a une identit\u00e9 propre, des \u00c9tats-Unis qui repr\u00e9sentent le pass\u00e9 jusqu\u2019\u00e0 l\u2019Am\u00e9rique du Sud qui poss\u00e8de sa propre culture et donc un style vraiment particulier. En Europe il y a \u00e9norm\u00e9ment de styles et pourtant les fronti\u00e8res restent floues car les gens voyagent beaucoup et parfois il est difficile de savoir si quelqu\u2019un vient de Hollande, d\u2019Allemagne ou de Suisse.” Il d\u00e9couvre lors de ses exp\u00e9ditions une ouverture d\u2019esprit et une acceptation qu\u2019il ne trouve pas en France o\u00f9 les gens restent encore majoritairement ferm\u00e9s \u00e0 la nouveaut\u00e9. “Un de mes combats de toujours est d\u2019essayer de faire chier ces gens sectaires qui ne croient que dans le pass\u00e9. Une de ces personnes est d\u2019ailleurs venue me voir un jour pour me dire que j\u2019avais “d\u00e9truit le graffiti \u00e0 Paris avec mon style chelou”. Je crois que c\u2019est un des meilleurs compliments que j\u2019ai re\u00e7us\u2026” Ne cherchez pas Honet l\u00e0 o\u00f9 vous l\u2019attendez, il n\u2019y sera pas !<\/p>\n![\"Honet](\"http:\/\/www.ilovemega.com\/blog\/wp-content\/uploads\/honet-artwork-product.jpg\" "\\"honet-artwork-product\\"")
Honet artwork printed on a bag<\/p><\/div>\n","protected":false},"excerpt":{"rendered":"
Honet brings French street art at its best According to me, Honet is simply the best French graffiti artist ever. I did this interview in French back in the days for a magazine called BPM. More about HNT. Vers le … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":4244,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"categories":[7],"tags":[49,17],"class_list":["post-1334","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-artists-interview","tag-france","tag-street-art-inspiration"],"yoast_head":"\nHONET Interview with the French street artist<\/title>\n<meta name=\"description\" content=\"According to me, Honet is simply the best French graffiti artist ever. 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![\"Portrait](\"http:\/\/www.ilovemega.com\/blog\/wp-content\/uploads\/honet1.jpg\" "\\"honet\\"")